策划人的话
CURATORS' WORDS
八年一丿
轻言“坚持”二字，常常会消解一件事情的乐趣。
与其苦哈哈地硬撑，倒不如说“乐此不疲”来得更洒脱一些。
爵士乐吸引我们的部分，是它活力四射的本能，无限叛逆的基因；任何形式的复古或者坚持所谓的 “原汁原味”，都注定要失败：作曲与即兴之间相对危险的、不稳定的关系，恰恰是它的伟大魔力所在。
作为策划者，我们也希望把自己的口味，通过各种手段，反作用到这些来自世界各地的音乐中去，影响它们，也影响听到它们的人。让爵士乐所代表的自由思想和艺术精神，自然而然地，毫不做作地，流进你心里去。—— “把音乐节做成一件自己的作品”，这是我们的野心。
开放的现场，开放的艺术，开放的人，所有的精神力量在此积聚。
期待你的到来，并与我们合奏！
八字打开，门外狂走，就差你们这一㇏了。
-
Eight Years, Half Written
To say the word "persistence" easily often dissolves the fun of doing one thing.
Rather than holding up, it’s probably better to say we are not getting bored yet, which sounds more enjoyable and relaxed.
The part that jazz fascinates us is its vigorous instinct and the infinite rebellion in its gene; any form of retro or insistence on the so-called "original" is doomed to failure: it is precisely the relatively dangerous and unstable relationship between composition and improvisation that builds its great magic.
through various means, would make a difference and react to these music from all around the world, and thus to affect them and those who are listening to them. Let the free thoughts and artistic spirit that jazz represents flow into your heart naturally and effort-lessly without any pretense. "Make the festival a piece of your own work" - this is nothing but our wildest ambition.
Open scenes, open art, open hearts and minds... All the spiritual powers are gather-ing here. And we are looking forward to creating this ensemble with you.
Eight years, half written. All is ready, except for you.
策划人 Curators
涂飞 Tu Fei / 滕斐 Teng Fei
排期表
SCHEDULE
（点击大图，可供下载）
演出场地
VENUE for CONCERTS
B10 Live
周边活动场地
VENUE for SIDE EVENTS
A3+
▼
演出者 Artists
Esat Ekincioglu – 低音提琴 Double Bass
Giuseppe Doronzo – 上低音萨克斯 Baritone Saxophone
Pino Basile – 打击乐 Percussion
“AVA三重奏正在尝试的音乐领域还无人涉及。这支组建于荷兰的乐团如此出色地在音乐中融入了地域文化元素，并巧妙地平衡了民族性与自由即兴……” 超越种族、地理、宗教和政治的边界，AVA三重奏希望通过一种最古老的方式去团结所有人，而这种方式正是声音的组合——音乐。
"AVA Trio is doing something musically, that no one else is up to. The Netherlands based group has done a masterful job of blending regional influences as well as balancing ethnic inspirations with free improvisation…”
AVA Trio is to create a music that is liberated from ethnic, geographical, and racial constraints, as well as political agendas. They are looking for an archaic way of unifying people through the earliest form of communication known to mankind: the organization of sounds, in other words, music.
演出者 Artist
Luca Sestak - 钢琴 Piano / 人声 Vocals
“他的才华令人惊叹，让人不禁想到‘神童’这个词。”在YouTube上发布的视频获得了千万级点击量，Luca Sestak被音乐评论家们称赞为“布鲁斯和布吉伍吉（Boogie Woogie）钢琴的未来”。
The music critics celebrate Luca Sestak, the musician who’s videos have received about ten million hits on YouTube as “The future of blues and boogie-woogie piano.”
演出者 Artist
Jeppe Zeeberg - 钢琴 Piano
Jeppe Zeeberg是欧洲当前最优秀的年轻音乐家之一。他不仅已经完全征服了他的故乡丹麦，也在世界乐坛大放异彩。享有声望的爵士博客saltpeanuts形容他是“一位出色的作曲家和钢琴家……音乐天才”。
Jeppe Zeeberg is one of Europe’s finest young musicians. He has taken his homeland of Denmark by storm, with respected jazz blog saltpeanuts describing him as “an excellent composer and pianist… a musical genius”
演出者 Artists
Elie Dufour – 钢琴 Piano
Yann Phayphet – 低音提琴 Double Bass
Marc Michel - 鼓 Drums
“了不起的是，古老的音乐传统、Radiohead和以Duke Ellington为范式的音乐能够毫无冲突地共存，仿佛这一切都仅出自一人之手。”
EYM三重奏在舞台上探索各种美学的可能，也尝试各种不同的与人连结的方式，以此寻找真正属于自我的标识。他们创作出了极具震撼力的作品，包括他们个人的原创，以及受北非、保加利亚、罗马尼亚和印度等有着不同民族色彩的爵士乐影响的改编与创作。
“What is remarkable, is that the old musical tradition, Radiohead and a standard of Duke Ellington coexist in parallel without any conflict, as if all this was made by one and only man.”
EYM Trio experimented on stage many esthetics, many ways of being connected, to find their own identity. Quickly, they created a strong repertoire including personal compositions, covers and creations inspired by ethnic influences of jazz with colors from North Africa, Bulgaria, Romania, and India.
演出者 Artists
Alon Farber - 萨克斯 Saxophone
Oded Meir - 长号 Trombone
Amit Friedman - 萨克斯 Saxophone
Eden Giat - 钢琴 Piano
Assaf Hakimi - 贝斯 Bass
Roi Yizhaq Oliel - 鼓 Drums
*本节目属于”以色列爵士之夜“，由以色列驻广州总领事馆支持。
作为以色列人，Hagiga六重奏成员继承了它兼容并蓄的多元文化传统。他们国家的地理优势，也体现在Hagiga六重奏能够完美地将北非美学、欧洲爵士和具有明显亚洲特色的即兴音乐融会贯通。“没有比这更恰当的形容了：Hagiga六重奏是一个不可思议的发现……他们在融合来自世界各地迥然不同的音乐传统的同时，发展出了一种它们之间优雅的相互作用。”
*This program is one of the programs of "Israeli Jazz Night", supported by Consulate General of Israel in Guangzhou.
As Israelis, the band-members of Hagiga Sextet draw on a heritage of confluence and intersection. Mirroring their nation's geography, Hagiga's sound is at the intersection of north African aesthetics, European jazz, and a distinctly Asian approach to improvisation. "No other way to put it: the Hagiga Sextet is a fantastic find… Hagiga has developed a tasteful interplay while melding disparate musical traditions from around the world.”
演出者 Artists
Yossi Fine – 吉他 Guitars / 人声 Vocals
Ben Aylon – 非洲鼓 African Drum Set / 人声 Vocals
Lior Romano – 合成贝斯 Synth-Bass / 键盘 Keyboards
*本节目属于”以色列爵士之夜“，由以色列驻广州总领事馆支持。
Yossi Fine & Ben Aylon成立于2015年，他们称自己的音乐来自“蓝色沙漠（Blue Desert）”，意在创造如沙漠般包罗万象、不受制于边界的音乐。被誉为“中东音乐新先锋”的他们，利用不断循环的节拍和旋律，演奏出令人神魂颠倒的乐曲，让不同民族的听众跨越音乐边界，一同起舞。其作品风格极为多样化，不仅体现了色列与巴勒斯坦的地域风情，还巧妙融合了狄步开舞蹈（Debke）、Dub、格纳瓦（Gnawa）和出神音乐（Trance），犹如一辆重型四驱车从耶路撒冷的山丘一路驰骋至撒哈拉沙漠般狂野。
*This program is one of the programs of "Israeli Jazz Night", supported by Consulate General of Israel in Guangzhou.
The music of Yossi Fine & Ben Aylon is from the “Blue Desert”, presenting hypnotic beats and melodies to put you in a Trance. Formed in 2015 and has gained the reputation of “The new Middle Eastern music pioneers” , they are making people from diverse ethnicities transcend musical borders to come together on the dance floor.
Their music represents the region of Israel and Palestine. One can also find Dabke music with fresh mix of Dub, Gnawa and Trance in their works. It’s like driving from the hills of Jerusalem to the dunes of the Sahara in a Bass heavy 4X4 drive!
FIF
10.12 - 10.14
节 中 节 特 别 单 元
演出者 Artists
Virginia Genta - 萨克斯 Saxophone / 单簧管 Clarinet
David Vanzan - 鼓 Drums / 打击乐 Percussions
“Virginia Genta是一个小姑娘，吹奏萨克斯却宛如宙斯操纵着雷电；她的搭档David Vanzan则是一个瘦长的破坏者，释放着流动不绝的翻滚与暴裂，你可以从中听到更多摇滚乐的根源。他们完全沉浸在60年代自由爵士的美学之中，又将其推向现在。而在他们音乐精神内核里，还有更广阔的空间。”
——Mike Wolf，纽约《村声》杂志
"Virginia Genta is a wee lass who handles her sax like Zeus does lightning. Her partner David Vanzan is a lanky basher of things, unleashing flowing rolls and bursts with more of a rock provenance than you normally get with fire music. They fully inhabit the '60s free-jazz aesthetic by blasting it into the present. Intrinsic to the spirit of their music is that there is room for more."
- Mike Wolf, Village Voice NYC
演出者 Artists
Luca T. Mai - 上低音萨克斯 Baritone Saxophone
Massimo Pupillo - 贝斯 Bass
Jacopo Battaglia - 鼓 Drums
他们的作品实验性地糅合了金属乐、数学摇滚、无浪潮、噪音和电子乐，著名音乐家John Zorn给予其很高的评价——“一种强劲且极具表现力的音乐，足以碾压现今绝大多数乐队的作品”。
Their experimental amalgam of metal, math, no-wave, noise and electronics, led acclaimed composer John Zorn to describe their sound as "a powerful and expressive music that totally blows away what most bands do these days".
主讲人 Speaker
Steve Holtje
ESP-Disk’经理，作曲家，即兴演奏者
Manager of ESP-Disk’, composer and improvisor
语言 Language
英语 English
现场配有翻译 With English-Chinese interpreter
“ESP-Disk’只听艺术家的。”——这句掷地有声的厂牌座右铭，概括了ESP-Disk’哲学，被印在了他们发行的每一张作品上。
自成立之日起，ESP-Disk’的目标即是给予旗下艺人彻底的艺术自由，让其不受阻于任何唱片公司的干涉和商业期望。它出版过的唱片在爵士，尤其是自由爵士的历史中具有重大意义。此外，你还能在其中找到前卫音乐、即兴摇滚、迷幻民谣、原型朋克等领域里最出色的作品。
“The artists alone decide what you will hear on their ESP-Disk’.” - A philosophy summed-up the ESP-Disk’ motto, printed on their every release.
From the beginning, ESP-Disk's goal has been to provide its recording artists with complete artistic freedom, unimpeded by any record company interference or commercial expectations. The label's discography is important in the history of jazz, especially free jazz. You will also find the finest recordings of avant-garde, improvised rock, psychedelic folk, proto-punk and other unique sounds.
影片信息 Movie Information
地区 Region：美国 U.S.A.
导演 Director：Alan Roth
时长 Length：60 分钟 60 mins
年份 Year：2001
语言 Language：英语 English
字幕 Subtitle：无 None
《Inside Out In The Open》是一部对爵士乐历史做出了不可忽视的重大贡献的影片。这部时长1小时的纪录片聚焦兴起于20世纪60年代早期的爵士乐的革命性发展。受访的十一位音乐人向镜头诉说他们的创作过程和启蒙及影响的来源，以及关于60年代的“初代”自由爵士音乐人的记忆，期间穿插着他们以及众多其它音乐人的作品。这些内容不管是对最新一代的音乐人还是任何喜爱创作的人来说，都振奋人心而充满指引意义。
Inside Out In The Open is a significant contribution to the history of jazz music. The 60-minute documentary focuses on the revolutionary developments in jazz music that evolved in the early 1960's. The film revolves around interviews with eleven musicians, whose words are complemented by their music and that of many other musicians. The voices of the musicians, speaking about creating music, their influences, memories of the 60's from the first generation, is exciting and instructive to the newest of musicians and to anyone interested in the creative process.
演出者 Artist
William Parker - 低音提琴 Double Bass / 双簧片 Double Reed / 尺八 Shakuhachi
William Parker是一位来自纽约的低音提琴手、即兴演奏家、作曲家、作家和教育家，被《村声（The Village Voice）》评价为“有史以来最出色，且始终保持着一流水准的自由爵士贝斯手”。
William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, “the most consistently brilliant free jazz bassist of all time.”
演出者 Artists
Vladimir Chekasin - 萨克斯 Saxophones / 单簧管 Clarinet
Vladimir Tarasov – 鼓 Drums / 打击乐器 Percussion
Vladimir Chekasin和Vladimir Tarasov，两位立陶宛的国宝级艺术家。作为传奇的加列宁三重奏（Ganelin Trio / GTCh）的成员，他们与“俄罗斯新音乐之父”Vyacheslav (Slava) Ganelin共同缔造了立陶宛爵士的黄金年代。
2014年Slava Ganelin携新加列宁三重奏在OCT-LOFT国际爵士音乐节奉献了他历史性的亚洲首演；时隔四年，另外两位元老以二重奏的形式来到这个舞台。一段传奇在这里隔空重聚，原来这场美梦还未苏醒。
Two of the most influential artists in Lithuania, Vladimir Chekasin and Vladimir Tarasov share the glorious years of collaboration as a trio with Vyacheslav (Slava) Ganelin. The legendary Trio has nurtured the aesthetics of the Vilnius jazz school and was arguably the world's greatest free jazz ensemble. And this time, the duo will be performing on the exact stage of OCT-LOFT Jazz Festival, where historical moments happened when the new Ganelin Tio(Slava Ganelin, Alexey Kruglov, Oleg Yudanov) gave their first ever live performance in Asia 4 years ago.
演出者 Artists
原田依幸 Yoriyuki Harada - 钢琴 Piano
望月英明 Hideaki Mochizuki - 低音提琴 Double Bass
石冢俊明 Ishizuka Toshiaki - 鼓 Drums
石冈秀雄 Tokioka Hideo - 次中音萨克斯 Tenor Saxophone
谈到日本一流的自由爵士乐队，原田依幸四重奏必定是一个不可忽略的名字。其核心人物原田依幸，是日本传奇爵士大乐团“生活向上委员会大管弦乐团”的创始人，被日本乐评人称为“怪兽”钢琴家，演奏时手指在琴键上疾驰如闪电
Yoriyuki Harada Quartet is lead by Yoriyuki Harada, the founder of Japanese legendary Jazz Orchestra “Seikatsu Kōjyō Iinkai Orchestra”. The quartet ascribed to the elite of Japanese free jazz scene. Japanese critics call him the Monster pianist. When he is on stage, his fingers dash on the keyboard like a lightning bolt.
影片信息 Movie Information
地区 Region：德国 Germany
录像 Video Recording：Dagmar Gebers
音效 Sound：Jost Gebers
剪辑 Edit：Bernhard Arndt
出版 Publishing：FMP-Publishing
时长 Length：75 分钟 75 mins
年份 Year：1988
语言 Language：英语 English
字幕 Subtitle：英语 English
1988年6月17日到7月17日，Cecil Taylor在西柏林进行了整整一个月的演出，让他有充分的空间展示自己的每一个面向：或是独奏的洞见者，或是与一流音乐家即兴合奏的心电感应者，又或是大乐队和交响乐团的领导者。参与演出的音乐家名单里，不乏Han Bennink、Dreke Bailey、Evan Parker、William Parker、Günter Sommer、Louis Moholo和Peter Brötzmann这些响当当的名字……
这些历史性的演出，被FMP完整地录了下来，并于1989年出版为11CD的《Cecil Taylor In Berlin '88》套盒，全球限量1000套。除了专辑，套盒还包含一本187页的精美册子，里面收录了大量演出的照片和音乐分析。《Erzulie Maketh Scent》即是其中的最后一张专辑，记录了Cecil Taylor 1988年7月16日在柏林国会大厅超过1小时的独奏演出。《Cecil Taylor In Berlin '88》可能是爵士乐的历史上具冲击力的个人阶段性作品集。
It was a month-long residency in West Berlin, From June 17 to July 17, 1988, which afforded Cecil Taylor time to perform in all of his guises - as a solo visionary, as a telepathic improviser playing next to a wide variety of top-shelf duo partners, and also as a big-band and orchestra leader. Artists who gave performances there included Han Bennink, Dreke Bailey, Evan Parker, William Parker, Günter Sommer, Louis Moholo, Peter Brötzmann and many more.
Erzulie Maketh Scent, Cecil Taylor’s solo piano performance recorded on July 16, 1988 at the Kongresshalle Berlin, is the closing disc of Cecil Taylor In Berlin '88, a monumental achievement consisting of 11 CDs and a 187-page booklet with numerous photographs from the various concerts and various analyses of the music, produced in a limited edition of 1000 copies world-wide and released by German free jazz label FMP in 1989. Cecil Taylor In Berlin '88 is maybe the most impressive documentation of the work of a single musician at one particular point in time, in Jazz.
演出者 Artists
Alexey Kruglov - 萨克斯 Saxophones
Jaak Sooäär - 电吉他 Electric Guitar
Mihkel Mälgand - 贝斯 Bass
Tanel Ruben - 鼓 Drums
俄罗斯萨克斯奇才Alexey Kruglov联手由Jaak Sooäär领衔、爱沙尼亚最具实力的爵士三重奏，将传奇的19世纪俄罗斯作曲家们的经典作品进行全新演绎，为我们带来最令人兴奋的东欧爵士之声！
The Russian saxophone whizz-kid Alexey Kruglov unite forces with the best Estonian jazz trio lead by Jaak Sooäär, bring us the most exciting sound from Eastern European jazz based on the works of legendary 19th century Russian composers.
演出者 Artists
类家心平 Ruike Shinpei – 小号Trumpet
田中拓也 Tak Tanaka – 吉他 Guitar
中岛锭二 George Nakajima – 钢琴 Piano / 键盘 Keyboards
铁井孝司 Koji Tetsui – 贝斯 Bass
吉冈大辅 Daisuke Yoshioka – 鼓 Drums
去年的OCT-LOFT爵士音乐节上最让我们难忘的时刻之一，便是山下洋辅为我们带来的火焰一般热烈的钢琴演奏，而在这火焰旁飞舞的，还有类家心平那把金色小号发出的耀眼闪光。这位倍受山下洋辅喜爱的小号手，是当今日本最顶级的年轻爵士乐手之一，此次他将带领自己的五重奏RS5pb（Ruike Shinpei 5 Piece Band）再次登上OCT-LOFT爵士音乐节的舞台，为我们带来承前启后的日本爵士之声。
One of the most unforgettable moments of last year's OCT-LOFT Jazz Festival would be Yosuke Yamashita's the burning passionate piano performance, and alongside the maestro, Ruike Shipei's dazzling trumpet playing was not in the least dimmed. Ruike Shipei now as one of the top young jazz player in Japan was specially selected by Yosuke Yamashita himself. Along with his quintet RS5pb (Ruike Shinpei 5 Piece Band), for the second time he will be on the stage of OCT-LOFT Jazz Festival to present us the finest sound of Japanese jazz music.
原田依幸 Yoriyuki Harada，
类家心平 Ruike Shinpei，
Alexey Kruglov，
Jaak Sooäär，
Mihkel Mälgand，
Tanel Ruben
……
演出者 Artists
Colin Vallon – 钢琴 Piano
Patrice Moret – 低音提琴 Double Bass
Julian Sartorius – 鼓 Drums
“……Colin Vallon的演奏和作品音调紧密，节奏娴熟，如同施下魔法，让听者久久入迷……”
Colin Vallon与低音提琴手Patrice Moret、鼓手Samuel Rohrer组成的三重奏于2011年在世界著名厂牌ECM Records出版了他的第三张三重奏专辑《Rruga》。现任鼓手Julian Sartorius于2012年加入乐队，他们的第四张专辑《Le Vent》和第五张专辑《Danse》分别于2014年和2017年在ECM出版。
*本节目由瑞士文化基金会上海办公室支持。微信公众号：pro_helvetia；网站：www.prohelvetia.cn
“...Vallon’s playing and pieces are tonally dense and rhythmically adept. They have something magic that holds the listener captive...”
Colin Vallon’s third trio album (with bassist Patrice Moret and drummer Samuel Rohrer) was released in 2011 on the prestigious international label ECM Records. Rohrer was replaced by drummer Julian Sartorius in 2012. The fourth album Le Vent(2014) and the fifth album Danse(2017) was also released on the ECM label.
*This program is upported by Pro Helvetia Shanghai, Swiss Arts Council. Wechat: pro_helvetia; Website: www.prohelvetia.cn
演出者 Artists
马木尔 Mamer – 贝斯 Bass
电贝斯就像是马木尔的触发器，常常将现场变成一个万花筒一般无法清晰聚焦的魔幻世界：干裂斑驳、层层递进的声音高墙之后，上有星光点点，下有大漠连延。即使偶尔将意识短暂停留在哈萨克草原，也仅仅是海市蜃楼般稍纵即逝的幻象，或“美丽的噪音”，或“暴力的温情”，每一颗音符都同时携带着它们的反对面，投射出一个异样迷人的多棱秘境。
Mamer uses his electric bass to turn reality into a kaleidoscope – out of focus, fragmented but magical. Behind the wall of the mottled and ever-changing sounds, there is starlight shining upon and desert stretching beneath. Even if your consciousness were brought to Kazakh grasslands for a brief stay, it would be nothing but a mirage. Call it “beautiful noise” or “violent tenderness”, every single note he plays comes out with its own objection, projecting a anomalously captivating world of mystery.
演出者 Artists
Salim Javaid - 萨克斯 Saxophone
Axel Zajac - 吉他 Guitar
Jo Beyer – 鼓 Drums
“Malstrom所做的事情超越了任何风格的归类：像是高压电下的重金属-硬摇滚-自由爵士-实验音乐，强烈的感官冲击，凶猛的演奏方式，展现了音乐最原始的力量。”
成立于2013年的Malstrom是一支来自德国的新锐三重奏。以爵士为基底的自由即兴，又融合了金属、摇滚、鼓打贝斯（Drum ’n’ bass）及电子乐等当代的影响，Malstrom的音乐不仅赢得了众多爵士爱好者的青睐，也惊艳了许多喜爱其它各种音乐风格的乐迷。
“What Malstrom is doing is beyond any stylistic classification: it is a heavy-metal-hardrock-freejazz-experiment under high voltage, a sudatory sensory rush and an excessive play with the elemental force of music.”
Malstrom is a young trio from Germany which was formed 2013. The connection between improvisation and a “jazz background” with modern influences from metal, rock, drum 'n' bass as wells electronic music creates their specific sounds and makes it possible to get in contact with audience not only from jazz but from other genre as well.
演出者 Artists
Edouard Séro-Guillaume – 贝斯 Bass
Stéphane Scharlé – 鼓 Drums
Julien Soro – 萨克斯风 Saxophones
Guillaume Nuss – 长号 Trombone
Tam de Villiers – 吉他 Guitar
想象一下新金属乐队Rage Against The Machine与爵士巨人John Coltrane同台， 或者放克/灵乐爵士大师Maceo Parker与摇滚乐队Radiohead即兴，又或者融合爵士传奇鼓手Billy Cobham和最棒的新奥尔良铜管乐队合作……自由奔放的爵士与令人恍惚入迷的电子，再加上厚重的摇滚，这就是OZMA。
Imagine John Coltrane invited as a guest by Rage Against The Machine, Maceo Parker jamming with Radiohead, or Billy Cobham sitting-in with the best New Orleans brass bands… One foot in the liberty of jazz, the other in electro’s trance, both hands covered in greasy rock - that is OZMA.
演出者 Artists
Sugar Blue - 人声 Vocal / 口琴 Harmonica
Ilaria Whiting - 贝斯 Bass / 人声 Vocals
Sergio Montaleni - 吉他 Guitar / 人声 Vocals
James Cowan - 键盘 Keyboards
C.J. Tucker - 鼓 Drums
Sugar Blue被称为口琴界的Jimi Hendrix：他灵活运用着让人惊叹不已的琴技，与沸腾的电子效果融合，成就了属于自己的独特风格。他的音乐不仅有令人眼花缭乱的技巧，还有着深情的表现力。作为格莱美奖的获得者，他不光颠覆了人们对于蓝调音乐的认知，也超越了人们对口琴的想象。是他让世界明白，由小小一枚口琴创造出的音乐，也有着无限可能。
Considered to be one of the first harp pyro-technicians, Grammy winner Sugar Blue uses awe-inspiring high-register runs, circular breathing and electronic effects on his harmonicas blending them into his unique, visionary and singular style, technically dazzling yet wholly soulful. He has been called the Jimi Hendrix of harmonica and has played and recorded with Willie Dixon, Prince, Rolling Stones, Stan Getz, Bob Dylan, only to name a few... Sugar Blue and his top notch band are guaranteed to put on a high octane show that you will remember for a long time.
演出者 Artists
Baurzhan Bekmukhanbetov – 冬不拉 Dombra / 三弦冬不拉 Three-String Dombra / 当格拉 Dangyra / 尚库布孜（钢口弦） Shan Kobyz / 昆塔亚克 Kuntayak / 人声 Vocals
Serik Nurmoldayev – 升克勒叠克 Shinkildek / 斯布孜额（哈萨克草笛） Sybyzghy / 当格拉 Dangyra / 尚库布孜（钢口弦）Shan Kobyz / 克尔内Kerney / 泰图亚克 Taituyak / 达尔布喀（哈萨克手鼓） Dabyl / 人声 Vocals
Maxat Medeubek - 克勒库布孜（马鬃库布孜） Kyl Kobyz / 昆塔亚克 Kuntayak / 人声 Vocals
Abzal Arykbayev – 喉音演唱 Komeymen Kaylau / 当格拉 Dangyra / 尚库布孜（钢口弦） Shan Kobyz / 克尔内 Kerney / 阔恩绕 Kongyraw / 雨声器 Rainstick / 三弦冬不拉 Three-String Dombra
Yerzhigit Aliyev – 节特根 Jetigen / 当格拉 Dangyra / 昆塔亚克 Kuntayak / 喉音演唱 Komeymen Kaylau
神秘古国的气息，中亚大地上的争战，游牧民族的迁徙，马背上的漫漫丝路，深夜大帐的狼图腾……当图兰乐团的音乐响起，种种异域奇观便宛如海市蜃楼浮现在我们眼前。在他们的舞台上可以看到传统服饰、喉音演唱、三十余种哈萨克传统乐器，及经过改制且濒临失传的古突厥乐器，甚至萨满仪式和现代剧场表演。他们以扎实的音乐修行和难得的当代视野，将千年的冰与火之歌继续演绎下去。
*文字介绍出自上海世界音乐季，略有修改。
Founded in 2008 by a group of students from the Kurmangazy Kazakh National Conservatory, the members of Kazakh traditional music ensemble Turan are award-winning folk artists who have performed around the world. They perform on ancient Kazakh instruments, creating an unforgettable image of the past and the present. Their desire is to recreate the sound of old archaic supplies, to find new ways, works and forms in the performance of the modern world.
演出者 Artists
Janet Klein – 人声 Vocals / 尤克里里 Ukulele
Frederick Hodges – 钢琴 Piano / 人声 Vocals
Benny Brydern - 小提琴 Violin
Tim Gill – 短号 Cornet
利落的波波头（经常随意地插着一朵小花），复古的时尚风格，引人注目的美貌，精心定制的尤克里里琴……看到Janet Klein的第一眼，你可能会觉得她只是在简单地追求个性，又或是一个身在二十一世纪，却略带“讽刺”地还原了上世纪末法式明信片女郎俗艳形象的调皮的赶时髦者。然而当她开口唱歌和弹起尤克里里，这一切都将被颠覆。她钟情于那些“1910-1930年代难以考证的、可爱而俏皮的歌曲”——其实藏在菲茨杰拉德小说女主角的形象下的Janet Klein，真实身份是一名音乐考古学家。
With her sleek bob haircut (usually with a flower placed just so), vintage fashion sense, strikingly beautiful looks and artfully customized ukulele, Janet Klein might seem at first to be a simple novelty act, a 21st-century hipster "ironically" recreating the subtly naughty looks of a fin-de-siecle French postcard. Then she opens her mouth to sing and play her ukulele. Bearing an ever expanding repertoire of, as she puts it, "obscure, lovely and naughty songs from the 1910's, 20's and 30's," Janet Klein is a musical archeologist hiding in the body of an F. Scott Fitzgerald heroine.
演出者 Artists
斋藤浩太 Kota Saito - 人声 Vocals / 吉他 Guitars
伊藤觉 Satoru Ito a.k.a. Satwokey - 吉他 Guitars
田代良裕 Ryo Tashiro - 鼓 Drums
“斋藤也许算得上是日本的Nick Cave——一个像城市本身一样，在表层之下有着不息暗涌的男人，却选择了保持克制，并足够尊重自己的艺术，让其可以代为发声。”
GLDN是一支来自日本东京和横滨的另类摇滚/布鲁斯摇滚乐队。他们将美国南方农村奴隶音乐中苦难的灵魂，安置于全新的都市梦魇之中——一头诞生于没有秘密的水泥森林中的怪兽。吉他手斋藤浩太的嗓音仿佛辛辣的二手烟，他们的歌大多关于刻一些骨铭心的故事，往往带着一抹哀伤的色彩。
“Saito could be Japan’s answer to Nick Cave - a man who like the city itself seems to have so much more going on beneath the surface layer, yet chooses to exercise restraint and respects his own art enough to let it do the talking for him.”
GLDN is an alternative rock/blues rock band based in Tokyo and Yokohama, Japan. The band borrows from the tortured soul of the slave music of the American rural south and gives it form as a new urban nightmare - a beast born of blocks of skyscrapers where there are no secrets. The voice of guitarist Kota Saito is like acrid secondhand smoke, and their songs are always about unforgettable stories, with a touch of melancholy.
演出者 Artists
Ruth Koleva - 主唱 Lead Vocals
Filip Alexandrov- 键盘 Keyboards
Stoyan Djaferov - 吉他 Guitar
Svetoslav Nedelchev - 贝斯 Bass
Bogomil Enchev - 鼓 Drums
“Koleva是东欧的一块瑰宝。”——Robert Elms，BBC
“Ruth的声音是如此深情，让你欲罢不能。”——英国歌手Lianne La Havas
“空间放克 (Space-Funk) 和流行灵魂乐 (Pop-Soul) 的奇妙结合。”——EARMILK网站
素有“上帝的后花园”之美称的保加利亚，这个被巴尔干山及多瑙河环绕的美丽国度，一直以来孕育的不只有娇艳的玫瑰花，还有许多优秀的音乐人才。Ruth Koleva让其合作过的大师级音乐家都为她自由驾驭不同音乐风格的能力而倾倒。
“Koleva is the best thing we’ve had from Eastern Europe lately.” - Robert Elms, BBC
“Ruth’s voice is so emotional, you want to hear more.” - Lianne La Havas
“Wondrous combination of Space-Funk and Pop-Soul.” - EARMILK
Ruth Koleva is a Bulgarian soul/jazz singer. For Ruth Koleva, music isn’t just a hobby, it’s her way of life. Her one-of-a-kind voice has brought her into duet performances, on-stage with Bobby McFerrin, and dub legend Mad Professor, who admits to being fascinated by her ability to experiment fluidly with several musical idioms at only 17 years of age.
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