Oliver Salonga的音乐感染力和技术才华一直被广为称赞，并受到世界各地乐迷的追捧，并在世界上大多数国家举办音乐会。如：美国，英国，德国，意大利，日本，韩国，新加坡，台湾，菲律宾，澳大利亚和中国的音乐厅。他已经实现了从一个神童到高级音乐见解艺术家的完美过渡。

    Oliver Salonga毕业于南加州大学，并获得了钢琴表演博士学位，同时辅修音乐分析，艺术管理和合作艺术。在2009和2011年度，他在克利夫兰音乐学院跟随2001年范·克莱本银牌获得者， Zellen Piano奖得主安东尼奥·巴尔迪（Antonio Pompa Baldi）学习，获得钢琴表演硕士文凭。克利夫兰音乐学院是一家世界领先的，以学生和教师之间紧密合作为特征的国际化音乐学院。80多年来，克利夫兰音乐学院为从3岁至93岁的学生提供了一个世界级的教育。     在他的指导下，Salonga博士在韩国赢得了2008 joenju国际钢琴金奖。他被世界上最负盛名的比赛邀请，其中包括2008佛罗里达国际钢琴比赛、2010希尔顿国际钢琴比赛，2011名苏格兰国际钢琴比赛、2011日纳萨拉加略国际钢琴比赛等等。他过去的导师包括著名钢琴家、教育家、茱莉亚音乐学院教授谢尔盖·巴巴杨(Sergei babayan )， 范·克莱本钢琴比赛亚军丹尼尔·波拉克(Daniel Pollack)先生 ，俄罗斯钢琴家Angela Cholakian博士，安东尼奥·巴尔迪（Antonio Pompa Baldi）先生，钢琴家、教育家Roberta Rust博士和雅可布音乐学院教授诺尔曼克里格（Norman Krieger)。

Dr. Oliver Salonga, piano praised for his emotional energy and technical brillance, Oliver Salonga has enthralled music aficionados in the concert halls of the United States, United Kingdom, Germany, Italy, Japan, Korea, Singapore, Taiwan, Philippines, Australia, and China. He has had a graceful transition from being a child prodigy to an artist of high musical insights.

Oliver Salonga is holding his Doctor of Musical Arts degree in Piano Performance at University of Southern California with minors in Music Analysis, Arts Management, and Collaborative Arts. In 2009 and 2011, he obtained his Master of Music and Artist Diploma in Piano Performance at the Cleveland Institute of Music under the guidance of 2001 Van Cliburn Silver Medalist, Antonio Pompa-Baldi and where he was awarded the Zellen Piano Prize. Under his guidance, Salonga won Gold Medal in 2008 Joenju International Piano Competition in South Korea. Also, he has been invited to the world's most prestigious competitions which includes 2008 Florida International Piano Competition, 2010 Hilton Head International Piano Competition, 2011 Scottish International Piano Competition, 2011 Rina Sala Gallo International Piano Competition to name a few. His past mentors include Dr. Angela Cholakian, Mr. Antonio Pompa-Baldi, Dr. Roberta Rust, and Mr. Norman Krieger. 

   一个拥有奇特视角的艺术家，钢琴家柴琼妍以她的惊人的音乐天赋照亮了这个世界与音乐的链接。结合最锋利的意图，柴琼妍将她的天赋与个人魅力融合起来，致力于她最新的实时电子音乐、人工智能、环境研究，建立分层的多媒体程序和项目，探索科学、自然和艺术的元素。“柴琼妍（Jenny Q Chai）师从当代钢琴大师、梅西安专家皮艾尔-劳伦特·艾玛尔学习现代音乐之典范。”《纽约时报》

   柴博士游走于美国和中国之间，对于新音乐有自己独到的见解。特别是对舒曼、 斯卡拉蒂、 贝多芬、 巴赫、 德彪西和拉威尔的作品。同时对20世纪当代大师 凯奇, 梅西安, 库尔塔克和莉盖蒂的作品也演绎地很出色。柴琼妍（Jenny Q Chai）同许多当代的作曲家广泛合作、友谊深厚。他们是：Marco Stroppa, Jaroslaw Kapuscinski, György Kurtág库尔塔克 等等。除此之外，柴博士还用她灵巧且诗意的触键把这些伟大的作曲家编织成一幅巨大且清晰的音乐挂毯。

  青年钢琴家柴琼妍（Jenny Q Chai）首次献演卡内基音乐厅，即因其“高超的钢琴技艺和丰富的艺术表现力”大受赞誉。如今，她的身影活跃在芝加哥、巴尔的摩、在德国、 比利时、 西班牙 以及Gaudeamus New Music 和Darmstadt 新音乐国际音乐节等各个现代音乐演出场所。在中国，她定期献演于上海音乐厅，以“现代音乐的先锋”为人们所熟知。给这座城市带来了一股国际当代音乐的前卫新风。她所演绎的许多当代杰出大师的作品，在中国都是首次公演。包括梅西安, 凯奇,以及prepared piano（加料钢琴：通过某些小设备改变琴弦音色的钢琴）的演绎。Dr. Jenny Q Chai 柴琼妍博士作为著名钢琴家、教育家活跃于各大讲座。在传播优美音乐的同时也把对音乐的理解和感悟带到世界各地。先后在美国哈佛大学、美国斯坦福大学、美国纽约曼哈顿音乐学院、美国纽约大学、美国加州伯克利大学、美国芝加哥罗斯福大学、美国波士顿音乐学院、上海复旦大学、上海美领馆、上海交响乐团、上师大音乐学院、浙江大学商学院、宁波大学音乐学院、北京美领馆举办讲座受到广泛好评。

   她对音乐的执着追求同样也体现在她的学校飞思乐音乐教育中，飞思乐音乐教育总部设在上海，提供音乐教育。同时也是音乐和音乐家的国际交流平台，除此之外，她还是纽约当代音乐组织Ear to Mind的音乐总监。 

   柴的才华充分体现在她录制的三张唱片上（由Deutschlandfunk，Naxos 和ArpaViva发行）《纽约之歌》。

    柴琼妍是Yvar Mikhashoff 2011年国际比赛冠军，“通向未来”国际当代钢琴比赛一等奖获得者，2010年德国政府DAAD国际学术交流音乐艺术奖得主。柴琼妍先后在上海音乐学院、柯蒂斯音乐学院、曼哈顿音乐学院学习。在德国跟随当代钢琴大师梅西安专家皮艾尔-劳伦特·艾玛专攻现代钢琴。她先后师从Pierre-Laurent Aimard，Seymour Lipkin，Solomon Mikowsky，Anthony de Mare，Marilyn Noken等众多名家。 柴琼妍的博士毕业论文《Manifesto on Marco Stroppa’s Miniature Estrose》正式出版发行。

   2016年，柴博士作为独奏嘉宾参与Philippe Manoury的双钢琴协奏曲出现在华沙音乐节与波兰国际广播交响乐团合作的开幕式上演奏。

  2017年，柴博士与著名作曲家Ciny Cox，Andy Akiho合作，发行唱片《Hierosgamos 》、《The War Below》，并于同年发行个人唱片《联感者》。

    2017年10月26日，柴博士受邀在上海梅赛德斯-奔驰文化中心演奏多媒体音乐剧《东去西来》中的一个片段演出《边界效应》，音乐和图像之间彼此交融促进取得了奇妙的现场效果。这是由斯坦福大学音乐学院院长、国际著名作曲家、多媒体艺术家雅罗斯瓦夫·卡普钦斯基（Jarosław Kapuściński）与视觉艺术家、摄影师Kacper Kowalski共同创作的作品。这场开幕演出也拉开了上海音乐学院“新艺术季”的帷幕。

An artist of singular vision, pianist Jenny Q Chai is widely renowned for her ability to illuminate musical connections throughout the centuries. With radical joie de vivre and razor-sharp intention, Chai creates layered multimedia programs and events which explore and unite elements of science, nature, fashion, and art. “Jenny Q Chai, who has studied with Pierre-Laurent Aimard, is following the more eclectic path…” New York Times.

Based in both Shanghai and Paris, Chai’s instinctive understanding of new music is complemented by a deep grounding in core repertoire, with special affinity for Schumann, Scarlatti, Beethoven, Bach, Debussy, and Ravel. She is a noted interpreter of 20th-century masters Cage, Messiaen, and Ligeti, and her career is threaded through with strong relationships and close collaborations with a range of notable contemporary composers, including Marco Stroppa, Jarosław Kapuściński, and György Kurtág. With a deft poetic touch, Chai weaves this wide-ranging repertoire into a gorgeous and lucid musical tapestry.

Chai is also a vital champion and early tester of the groundbreaking synchronous score following software program, Antescofo. Developed at IRCAM by scientist Arshia Cont and composer Marco Stroppa, the software offers a real time computer and animation response to live performance elements, enabling performers to create multimedia presentations of sophisticated and expressive fluency. Chai explored and helped hone Antescofo in residence at IRCAM (alongside frequent collaborator, Jarosław Kapuściński) and has since toured internationally with the software, offering multimedia performances in Shanghai, New York, Havana, and elsewhere.

Other notable highlights include her Carnegie Hall debut in 2012; many performances at (le) Poisson Rouge, including a 2016 Antescofo-supported program, Where’s Chopin?; lectures and recitals at the Shanghai Symphony Hall; a featured performance at the Leo Brouwer Festival in Havana, Cuba; Philippe Manoury’s double-piano concerto, Zones de turbulences, at the Warsaw Autumn International Festival of Contemporary Music (with duo partner, pianist Adam Kośmieja and the Polish National Radio Symphony Orchestra); and much more.

Her immersive approach to music is also channeled into her work with FaceArt Institute of Music, the Shanghai-based organization she founded and runs, offering music education and an international exchange of music and musicians in China and beyond. Additionally, Chai serves on the Board of Directors of the New York City-based contemporary music organization Ear to Mind, and has published a doctoral dissertation on Marco Stroppa’s Miniature Estrose.

Chai has recorded for labels such as Deutschlandfunk, Naxos, and ArpaViva. In 2010, she released her debut recording, New York Love Songs – features interpretations of works by Cage and Ives, among others – and her most recent recording, Life Sketches: Piano Music of Nils Vigeland was released in 2014 by Naxos. She can also be heard on Michael Vincent Waller’s Five Easy Pieces and Cindy Cox’s Hierosgamos.

The recipient of the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissioning Project, the DAAD Arts and Performance award in 2010, and first prize winner of the Keys to the Future Contemporary Solo Piano Festival, Jenny Q Chai has studied at the Shanghai Music Conservatory, the Curtis Institute of Music, the Manhattan School of Music, and in Cologne University of Music and Dance. Her teachers include Pierre-Laurent Aimard, Seymour Lipkin, Solomon Mikowsky, and Anthony de Mare.

  茱莉亚校友，华沙当代音乐比赛获奖者、上海飞思乐音乐教育创始人之一-波兰钢琴家、作曲家彼得托马斯是一位成功的表演艺术家、教育家。作为一个艺术家，职业上的的多样性使他得在音乐领域占据着特殊的地位。

   彼得 · 托马斯先生突出的艺术原则之一是创建独立的、 创造性的、 鼓舞人心的音乐，永远不会给观众呈现重复的、相同的内容，永远给观众新的惊喜。在过去的几年，托马斯先生呈现了一系列的独奏音乐会。完全侧重于巴赫的作品 （在上海交响乐表演），演奏了完整的拉威尔作品。开创性地演奏了肖邦的完整作品，并加入当代音乐的表演，组成了自己的音乐。在澳大利亚悉尼歌剧院的肖邦巡演受到了热烈欢迎。在上海音乐厅与特邀嘉宾--艺术家柴琼妍Jenny Q Chai（当代钢琴家） 和卡尔·英格拉姆Cole Ingraham（电子音乐作曲家、多媒体艺术家），举办"肖邦之旅"音乐会，观众反响热烈，起立鼓掌，与此同时他还管理着上海飞思乐音乐学校，并积极地投入教学工作。 2015 年4 月托马斯先生录制了一首由美国作曲家辛迪·考克斯创作的双钢琴单曲，并在上海东方艺术中心辛迪的音乐会初次公演该曲。

   在波兰克拉科夫音乐学院，托马斯先生师从 Andrzej Pikul教授。获得钢琴硕士学位。之后去了享誉国际的纽约茱莉亚音乐学院继续深造。在那里跟随Jerome Lowenthal学习钢琴。2010年返回了他在波兰的故乡克拉科夫。同年，托马斯先生搬到中国上海，与当代钢琴家柴琼妍博士一起，创办了飞思乐音乐学校，作为克拉科夫和纽约城与上海之间沟通文化的桥梁。

   彼得 · 托马斯的教育背景非同寻常。在 13 岁时他已被任命为波兰克拉科夫区多禄教堂的风琴师和唱诗班大师。在那里工作的 10 年间学习了对位法、和声、巴赫的风琴作品。在克拉科夫期间，他写了关于史克里亚宾的论文。在茱莉亚音乐学院学校期间，托马斯先生跟随Lionel Party学习大键琴，老师引导他学习弹奏巴赫的作品，并跟随Jerome Lowenthal（Alfred Cortot的学生，一位点燃肖邦钢琴作品新浪漫热情的大师）学习钢琴。 

   被音乐评论家David Dubal 盛誉为“少有的振奋人心的肖邦音乐演奏家”。托马斯先生频繁出现在国际钢琴大赛桂冠领奖台上。同时作为波兰音乐活动大使。他曾在包括林肯中心保罗演奏厅、上海音乐厅、巴黎荣军院、悉尼歌剧院和其他许多西班牙，意大利，美国，澳大利亚，中国等地的著名演出场地成功举办过音乐会。2005 年，托马斯先生有幸在克拉科夫表演了作曲家莫里斯 · 拉威尔的全部钢琴作品，纪念这位作曲家诞辰 130 周年，这件事在那座城市是独一无二的开创性事件。同年，托马斯先生与克拉科夫爱乐乐团，携手举办了三场音乐会，表演拉威尔的左手协奏曲，由Stanislaw Welanyk指挥。2007 年，克拉科夫爱乐乐团邀请他演出罗伯特 · 舒曼的钢琴协奏曲。在赢得了华沙20 世纪当代音乐比赛的最高荣誉后，托马斯先生为波兰广播电台和电视网络录制了巴托克的钢琴奏鸣曲。

   2013 年， 在澳大利亚的图尔尼，托马斯先生在由波兰共和国外交部和钢琴经典协会主办的"波兰音乐日"全球项目上受到了极大的赞赏。托马斯先生的肖邦音乐会受到全国各地听众的热烈欢迎，在悉尼歌剧院听众起立鼓掌，掌声长久不断。

   2017年，托马斯先生与著名作曲家Ciny Cox合作，发行唱片《Hierosgamos 》。

Juilliard Alumni, award winner of Contemporary Music Competition in Warsaw and co-founder of FaceArt Institute of Music in Shanghai – Polish pianist and composer Piotr Tomasz – is an accomplished performer, educator and ambassador of Polish culture on four continents.
Hailed by music critic David Dubal as a “rare and inspiring Chopinist,” Mr. Tomasz is an active ambassador of Polish music abroad and laureate of international piano competitions and a frequent participant in prestigious festivals across the globe. Mr. Tomasz has toured his native country and performed at such major concert halls as Paul Hall in New York City, Concert Hall in Shanghai, Hôtel des Invalides in Paris, Sydney Opera House and many others in Spain, Italy, U.S.A., Australia and China. After earning Master’s degrees from the Academy of Music in Krakow, where he studied piano under Prof. Andrzej Pikul he moved to New York to further his studies at the Juilliard School. During those years Mr. Tomasz studied harpsichord with Lionel Party and piano with Jerome Lowenthal. Mr. Tomasz after winning the highest honor at the 20th Century and Contemporary Music Competition in Warsaw, Mr. Tomasz recorded Béla Bartók’s Piano Sonata for the Polish Radio and TV Network.

Niccolo Athens出生于德克萨斯州的圣安东尼奥。他的音乐生涯之初是作为一名小提琴手，2004年起单独跟随Timothy Kramer 学习作曲。2010年收到了茱莉亚音乐学院作曲系的大学录取通知书, 师从Samuel Adler学习。 已获得康奈尔大学音乐博士学位，师从Steven Stucky 和Roberto Sierra。 2014 -2015 学年富尔布莱特法案基金推举他在中国北京的中央音乐学院学习，在那里跟随叶小钢研究工作。演奏过他作品的乐团包括:茱莉亚音乐学院管弦乐团、 新的茱莉亚音乐学院剧团、 动量四重奏，维利尔斯四重奏、 奥尔莫斯剧团、 Talea剧团、 东海岸当代剧团、 朗费罗合唱队、 San Antonio 青年乐团和 San Antonio 交响乐团。 Upcoming projects include a new work for cello and piano for cellist .即将开展的项目包括为大提琴家John Haines-Eitzen创作钢琴和大提琴新作。

他于2006、2009年度获得2项BMI学生作曲奖, 2012被美国文学和艺术学会授予Charles Ives奖学金。同年获得Lyrica 室内乐比赛优秀奖。其他荣誉包括：美国艺术歌曲创作新兴作曲家一等奖，朗费罗合唱比赛作品创作合唱音乐一等奖，2009、2010两度获得茱莉亚音乐学院管弦乐作曲大赛优胜者。

Niccolo 由于对美国作曲家 Alan Hovhaness的作品的研究，受到了茱莉亚音乐学院，学校荣誉奖。作品"世界墙在变薄被收录在2011新欧洲德国音乐学院关于 Hovhaness的一篇文章里。2009年起他在哥伦比亚大学学习汉语，对汉语的兴趣持续至今，2011年夏天留学于中央民族大学。 2009年为WNET 13网络广播电台谱曲, 一个总部设在纽约的公共电视台。

Niccolo Athens (b. 1988) was born and raised in San Antonio, Texas.  He began his musical life as a violist, and started studying composition privately with Timothy Kramer in 2004.  In 2010 he received his bachelor of music in composition from The Juilliard School, where he studied with Samuel Adler.   He is currently a DMA candidate at Cornell University, where his primary teachers are Steven Stucky and Roberto Sierra. He spent the 2014-15 academic year on a Fulbright grant pursuing his studies at the Central Conservatory of Music in Beijing, where he worked under Ye Xiaogang.  Ensembles which have performed his work include the Juilliard Orchestra, the New Juilliard Ensemble, the Momenta Quartet, the Villiers Quartet, the Olmos Ensemble, the Talea Ensemble, the East Coast Contemporary Ensemble, the Longfellow Chorus, the Youth Orchestras of San Antonio, and the San Antonio Symphony.  Upcoming projects include a new work for cello and piano for cellist John Haines-Eitzen.

During the summer, Niccolo has attended the Interlochen Center for the Arts, the Eastern Music Festival, the Boston University Tanglewood Institute, the Aspen Music Festival, the Staunton Music Festival, and the American Conservatory at Fontainebleau.  He has received two BMI Student Composer awards, in 2006 and in 2009, and in 2012 he received a Charles Ives Scholarship from the American Academy of Arts and Letters.  Other awards include first prize in the emerging composer category of the American Art Song Competition for Composers, and first prize in choral music from the Longfellow Chorus Competition for New Works.

Niccolo received scholastic distinction from Juilliard in recognition of his research on the music of American composer Alan Hovhaness, whose work is a special passion and area of interest for him.  This work, “The Walls Between the Worlds Grow Thin,” was cited in a 2011 article about Hovhaness which appeared in the Neue Zeitschrift für Musik. In 2009 he began studying Mandarin at Columbia University, and has pursued this interest up to the present, spending the summer of 2011 studying in Beijing at Minzu University.  In 2009 he also scored new network ID’s for WNET 13, a public television station based in New York.

    James Brawn毕业于英国皇家音乐学院，还是施坦威签约艺术家。他出生于英国，7岁习琴，从小游历各国，于 1979 年在奥克兰第一次获奖。其后跟随家人搬到墨尔本，师从Margaret Schofield (Solomon的学生)、Ronald Farren-Price (Arrau的学生) 、 Rita Reichman (Serkin 和Horszowski的学生)。获得了“乐人大会”的许多奖项和奖学金，其中包括了由Yehudi Menuhin亲自授予的Hephzibah Menuhin大奖。还在校念书时James Brawn就经常演奏莫扎特、 贝多芬、 圣桑和拉赫玛尼诺夫的曲目。 1987 年获得了ABC 青年演奏家奖，并与阿德莱德、 墨尔本交响乐团乐团合作演出。

    1988 年 ，在James 17 岁时获得皇家音乐学院全额奖学金。师从 Frank Wibaut以及 Christopher Elton，并完成本科和研究生学位，同时赢得了许多独奏奖包括：贝多芬、 浪漫和 20 世纪百年奖。室内乐的学习师从Amadeus 、Chilingirian Quartets 。在 19 岁那年，他赢得了皇家海外联盟音乐比赛冠军，并在伦敦伊丽莎白女王音乐厅表演。 

    作为独奏家、室内乐演奏伙伴在英国各地巡演，包括：Purcell Room, St. Martin-in-the-Fields 、 St. James's Piccadilly。并跟随亚美尼亚的钢琴家Nelly Akopian-Tamarina和斯洛文尼亚的钢琴家Marina Horak学习。

 目前为止他伦敦演出地包括： Purcell Room,、Queen Elizabeth Hall、St James's Piccadilly, St.Martin-in-the-Fields, the Foundling Museum, Blackheath Halls, Regent Hall 以及The Forge等。海外演出地包括：柏辽兹礼堂，巴黎，鲁塞尔大厅，新奥尔良，文莱音乐社团、香港以及在西西里岛的Ragusa-Ibla。其他重要的英国演出场地包括滕大会堂、 奇切斯特、 布里斯托尔和伯明翰的大教堂以及为海伦斯堡音乐协会定期演出。他曾为舒伯特英国协会和欧洲贝多芬钢琴协会举行独奏会。并为多所电台广播，包括： 澳大利亚ABC 经典调频，港台无线4台，他所录制的贝多芬专辑在NPR 电台播放，横跨美国。

    他于 2010 年回到英国，居住在美丽的科茨沃尔德。2012 年 4 月与著名制片人杰里米 · 海耶斯在萨福克郡波顿大厅录制贝多芬钢琴奏鸣曲全集。第一卷的演奏会系列获得一致好评。

  2017年，James发行个人唱片《贝多芬钢琴奏鸣曲》第五卷。

Since his Mozart K.503 concerto debut in Australia aged twelve, pianist James Brawn has forged his own musical path of discovery, studying with great pianists who can trace their pedagogical lineage back to Beethoven, Chopin, Liszt and Clara Schumann.

Brawn was born in England but has lived around the world in New Zealand, Australia, China and the USA. Starting piano lessons at the age of seven, he performed on New Zealand television and won his first awards in Auckland in 1979. His family moved to Melbourne the following year where his musical studies blossomed through the 1980s with Margaret Schofield (a pupil of Solomon), Ronald Farren-Price (a pupil of Arrau) and Rita Reichman (a pupil of Serkin and Horszowski). He also won major prizes at competitions and scholarships, including the Hephzibah Menuhin Award presented by Yehudi Menuhin. While still at school, James performed concerti by Mozart, Beethoven, Saint-Saens and Rachmaninoff. He also reached the concerto final of the ABC Young Performers Awards in 1987, leading to concerts with the Adelaide and Melbourne Symphony orchestras.

With a major overseas study grant from the Australia Arts Council, Brawn was then able to continue work with his mentor, Rita Reichman, in Philadelphia, gaining a full scholarship to the Royal Academy of Music, London, at the age of 17 in 1988. There he studied with Frank Wibaut and Christopher Elton, completing both undergraduate and postgraduate study and winning many recital awards including the Beethoven, Romantic and 20th century prizes. He also performed in master classes with great pianists such as András Schiff, Tamás Vásáry, Stephen Kovacevich, Fou Ts’ong and Menahem Pressler. James studied chamber music with members of the Amadeus and Chilingirian Quartets and attended the Britten-Pears and Lake District summer schools. At the age of 19, he won the Keyboard final of the Royal Over-Seas League Music Competition, performing at the Queen Elizabeth Hall in London.

Recitals as soloist and in chamber music partnerships followed at music societies and festivals around the UK, including performances at the Purcell Room, St. Martin-in-the-Fields and St. James’s Piccadilly. At this point, James furthered his studies with the Armenian pianist, Nelly Akopian-Tamarina, and the Slovenian pianist, Marina Horak.

His London performances to date include, amongst others, the Purcell Room, Queen Elizabeth Hall, St James’s Piccadilly, St.Martin-in-the-Fields, the Foundling Museum, Blackheath Halls, Regent Hall and The Forge. Overseas recitals include the Berlioz Auditorium, Paris, Roussel Hall, New Orleans, Shanghai Symphony Hall, Shanghai Oriental Arts Centre, Shanghai Concert Hall, music societies in Brunei and Hong Kong and in Ragusa-Ibla, Sicily. Other important British venues include Cheltenham Town Hall, Yehudi Menuhin Hall, Chichester, Bristol and Birmingham Cathedrals and Brawn performs regularly for the Helensburgh Music Society in Scotland. He has also given recitals for the Schubert Society of Britain and the Beethoven Piano Society of Europe. Radio broadcasts include ABC Classic FM and 3MBS radio in Australia, RTHK Radio 4, Hong Kong and his Beethoven recordings are being played on NPR stations across the USA.

Returning to the UK in 2010 to further his career, Brawn is based in the beautiful English Cotswolds. Forging links with the acclaimed producer Jeremy Hayes at Potton Hall, Suffolk, he began the process of performing and recording the complete Beethoven piano sonatas in April 2012. As a result, the first four volumes of ‘A Beethoven Odyssey’ have since been released to exceptional reviews. The first 2 volumes of the James Brawn ‘In Recital’ series have also been greeted to similar acclaim. Each of these recordings is available on the MSR Classics label – www.msrcd.com.

Beginning in 2016, Brawn was appointed to the piano faculty of the FaceArt Institute of Music Shanghai. This coming season Mr Brawn will tour the UK, China and Canada in recital and concerto performances. www.jamesbrawn.com

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