• 展览指导：释藤

• 执行策展人：华贤斌

• 出品机构：积成影像

• 展览时间：2017年11月15日—19日

• 展览地点：丽水市莲都图书馆

• Exhibition Guide: Shi teng

• Curator: Hua Xianbin

• Production agencies: Jicheng Image Studio  

• Exhibition time: November 15, 2017 - 19

• Venue: Liandu library, Lishui

参展摄影师：毕延长／崔永军／邓海／郭继洲／华贤斌／井源／李群／刘英杰／史志辉／王琦（按姓氏拼音字母排序）

Exhibitors: Bi Yanchang/ Cui Yongjun / Deng hai / Guo Jizhou / Hua Xianbin Jing yuan / Li qun / Liu Yingjie / Shi Zhihui / Wang qi (sorted by alphabetic letters of surnames)

• 策展人语：

从原点出发

原点是一个汉语词语，意思是出发的地方。

大千世界，“原点”无所不在。“原点”可以是道路的起点，是坐标的中心，也可以是事物的根本。

在这个全民摄影的时代，人人都可以成为摄影师，影像成为了很多人的生活方式之一。我们所处的时代，嘈杂纷乱，喧嚣闹腾，让许多人迷茫找不到方向，于是我们不禁扪心质问：是否要回到自己的原点看看，寻找那一颗初心？

这是一群在摄影创作路上“蓄谋已久”的可爱可敬之人，他们扛过“长枪大炮”，跨过万水千山，高速消费快门，曾经扎堆在各大摄影拍摄点乐此不疲，他们的年龄参差不齐，他们的喜好更是各不相同，但是在摄影的道路上，他们一样痴迷，同样热爱！虽然他们走的有些慢，有时也恪守传统，但是这些年也在学会慢慢地蜕变……他们在努力、在学习、在进步，也在探索一个新的世界！

毫无疑问，在摄影之路上，他们还有很漫长的一段路要走，好在他们都有朴素的情怀，都对摄影爱的真诚，所以，这一次，他们以丽水为原点，重启他们对摄影的那颗初心，轻装上阵，从心出发！

毕延长

1961年出生，山东昌乐人

中国摄影家协会会员

中国摄影著作权协会会员

2015年中国十佳数码摄影师

2016年作品《楮岛风光》《桂河湿地》在维也纳联合国总部展出。

Yanchang Bi, born in 1961, Shandong, Changle

Member of China Photographers Association

Member of China photography Copyright Association

China Top Ten Digital Photographers in 2015

In 2016, his work "Island Chu Scenery" and "River Gui Wetland" were exhibited at the United Nations Headquarters in Vienna.

《失独家庭》

据中国国家统计局、卫生部发布的数据显示,实行计划生育30多年来，数以千万的家庭响应国家号召，只生一个孩子，现在全国每年15—30岁独生子女死亡人数至少7.6万人，由此带来的是每年约7.6万个家庭的分崩离析。子女的不幸离世让他们在最需要照顾的时候变得老无所依。他们很快将面临失去劳动能力，以及失去生活自理能力的问题。特别是农村失独家庭，无退休金、无经济来源，养老问题更是迫在眉睫。

通过关注失独家庭，记录失独家庭当下的现状，探求失独家庭未来养老途径，帮助他们走出孤独与绝望，已经成为全社会必须重视并要解决的问题。希望能够引起全社会的广泛关注，以此推动国家对失独家庭养老等相关政策的出台与落实。

通过深入了解，长期跟踪，对失独家庭进行专题拍摄，详尽记录下他们真实的生活现状。在此感谢昌乐县计生协会郭树芳同志的支持和帮助。

     "One-Child Died Family"

According to data released by the National Bureau of Statistics of China and the Ministry of Health, since the introduction of family planning for more than 30 years, tens of millions of families have only one child in response to the call of the state. At present, there are at least 76,000 deaths each year in their 15-30-year-old single children, Resulting in the collapse of about 76,000 families each year. The unfortunate death of children makes them useless when they need it most. They will soon face the problem of losing their ability to work and losing their ability to take care of themselves. In particular, rural families who have lost their only child, have no pensions, have no source of income, and the issue of pension is even more imminent.

It has become a problem that the whole society must pay attention to and resolve by focusing on the families of the one-child died families, recording the current situation of the families losing their independence, exploring the ways of future retirement for the one-child died families, and helping them out of their loneliness and hopelessness. Hoping to arouse the widespread concern of the whole society so as to promote the promulgation and implementation of relevant policies by the state on the retirement of the unadulterated family.

Through in-depth understanding and long-term follow-up, we carried out thematic filming of the families who lost their lives and made detailed records of their real life conditions. Thanks to Comrade Shufang Guo of Changle County Family Planning Association for their support and help.    

崔永军

国家电网山东电力集团济宁供电公司职工，山东省摄影协会会员

2016 作品《围城》参展第17届中国平遥国际摄影大展

2017 作品《家园》参展第7届大理国际影会

Yongjun Cui，Employee of Jining Power Supply Company of Shandong Power Group of State Grid; member of Shandong Photography Association

In 2016, his work "Besieged City" was exhibited at the 17th China Pingyao International Photography Festival

In 2017, his work "Homeland" was exhibited at the 7th Dali International Film Festival

《家园》      

镜头中影像不是我捕捉到的，而是钻进来的，躲都躲不开。现代化小区周围所谓城中村的破败硌得眼疼，剜得心痛。                

村民为搬迁搭建的危房、污水横流的街道、留守的老人儿童，的确触目惊心。

造成问题的原因是复杂的、多方面的，但无论如何必须解决。良性的、可持续的城市化是共同富裕的、平衡发展的城市化，一个美丽姣好的面容上不能留存一道道疤痕。我们祈望和谐的人际关系，拥有共同美丽的城市家园。      

These images were not captured by the camera; instead, they just rushed the frame and there was no way to stop them. The scene there was too shocking to watch; dangerous houses for relocation, uncontrolled street sewage everywhere, and left-behind old people and children.

Reasons for these issues are various and complicated, but they have to and are going to be solved anyhow. Virtuous and sustainable urbanization is characterized by common prosperity and balanced development; no flaws are allowed on the beautiful ground. We expect harmonious interpersonal relationship and better city.

邓海

生于1958年6月，陕西省兴平市人，自由摄影师。

从事摄影30多年，擅长民俗题材摄影创作。

2001年2月 陕西省文联授予“德艺双馨”艺术家称号。

2011年7月 获第三届中国数码摄影师提名奖。

2014年 获陕西省文联第三届“陕西摄影奖”。

2015年“远古的梦”入围 “侯登科”全国纪实摄影展。

2015年 出版专著《木轮车记忆》一书。

2015年“木轮车记忆”参加平遥国际摄影展。

2016年“木轮车记忆”参加《首届中国三门峡白天鹅；野生动物国际摄影大展》。

2016年《老南和他的皮影》在北京国际摄影周展出

2016年《公益光影助学工程》聘为该工程的形象大使。

2017年《往事千年.唐陵下》参加第七届大理国际影会大展。

2017年《往事千年.唐陵下》参加多彩贵州•第十届中国原生态国际摄影大展

2017年《往事千年.唐陵下》在北京国际摄影周展出

2017年《往事千年.唐陵下》参加第七届土耳其布尔萨国际摄影艺术节

 Hai Deng, born in June 1958, Xingping City, Shaanxi Province, is a freelance photographer.

Engaged in photography for more than 30 years, specializing in folk theme photography creation.

February 2001, Shaanxi Province Federation of literary awarded the "distinguished artist" title of the artist.

July 2011, the third China digital photographer nomination award.

2014, won the third "Shaanxi Photography Award" from Shaanxi Provincial Federation of Literary and Art Circles.

2015 "ancient dream" nominated "Hou Dengke" national documentary photography exhibition.

2015, published the book "Memory of Wooden Wheels".

2015, "Memory of Wooden Wheels" Participated in Pingyao International Photography Exhibition.

2016 "Memory of Wooden Wheels" participated in "The First China Sanmenxia White Swan; Wildlife International Photography Exhibition".

2016 "Lao Nan and his Shadow Play" exhibited at Beijing International Photography Week

2016 as the project's ambassador of "Public Light and Shadow Auxiliary Engineering"

2017 "Past Millennium. Under the Tang Mausoleum" exhibited at the 7th Dali International Film Festival

2017 "Past Millennium. Under the Tang Mausoleum" exhibited at Colorful Guizhou • The 10th China Original Ecological International Photography Exhibition

2017 "Past Millennium. Under the Tang Mausoleum" exhibited at Beijing International Photography Week

2017 "Past Millennium. Under the Tang Mausoleum" exhibited at the 7th Bursa Turkey International Photography Festival

《远古的梦》

在现代化大潮猛烈摇撼中国这棵东方千年古树的时候,一个远古的梦，仿佛突然从时光隧道回到远古，遥远的回声，久远、苍老......。在中国西部，陇南一隅的大山深处，有一个名叫上坪乡苏琪沟的小村落里，人们依然保持着古朴的风俗，使用着古人流传下来的生产生活工具——木轱辘车。这里的人们人们依然保持着古朴的风俗，使用着古人传承下来的“木轱辘车在今天，木制车轮依然是深山小村落的生命符号，这个符号应该是纷繁历史的一个延续。

当现代交通工具一日千里如旋风，在这里仿佛时间骤然凝固，历史仿佛退回到远古！村民们日出而作，日落而息，春种秋藏。这里的人们乐观地对待现状，对待生活、对待未来。他们对生活有美好的憧憬和向往，但他们不急躁、不埋怨、不自卑，踏踏实实地生活，一步一步地向前走。他们喜欢接受新生事物，但绝不盲目地抛弃过去美好的、合理的、有用的东西。这里民风淳朴，木轱辘车能延续数千年，也许由于大山的阻隔、也许由于几千年来形成的与生命扭结在一起的木轮车情结所致，和当地的地理环境、生产生活需要、民风民情、传统习俗、人们坚韧不拔的品格有关，这里的人们依然悠然自得地甩着长鞭在木轮车上迎接着每一个日出日落，独自享受那份远古以来的平静生活。

Ancient dreams

When the tide of violent shaking the tree Chinese modern Oriental Millennium old trees, an ancient dream, as if suddenly from the back to the ancient time tunnel, distant echo, old, old....... In the China western corner of Longnan, deep in the mountains, there is a village called on tsubosato Sookie ditch the corner, people still maintained a simple custom with the ancients handed down the production and life of tool, wooden wheels and car. The people here are still maintained a simple custom, use the ancient legacy "wooden wheels in the car today, wooden wheels is still a symbol of life mountain villages, this symbol should be a continuation of the complex history. When the modern traffic tools such as whirlwind here a thousand li a day, as if the time suddenly seemed to return to the ancient history of solidification! The villagers Richuerzuo, sunset, spring and autumn pools. People here are optimistic about the status quo, about life, and about the future. They have a good vision and yearning for life, but they are not impatient, do not complain, do not feel inferior, and live steadily, step by step forward. They like to accept new things, but never blindly throw away the good, the reasonable and the useful things in the past. Here folkway, wooden wheels and car can continue for thousands of years, perhaps because of the mountain barrier, perhaps due to the formation of thousands of years of life and the tangled wooden wheel caused by complex, and the local geographical environment, production and living needs, folk customs, traditions and customs, people do not pull the tough character here people still swung to a carefree and content appears in every sunrise and sunset in Mulun car, enjoy the quiet life since ancient times alone.

未完待续……